When Amanda Nilsson and I got asked if we were interested in creating the intro video for this years Social Innovation Summit we knew right away that we’d be spending the next three weeks in a sleep deprived state if we’d take this one on. We said yes pretty much straight away of course. The summit is a massive happening, packed with awesome people and to top it all of SVT will be documenting the whole shebang. There wasn’t much time to begin with (isn’t that always the case?) and there was no room for the usual darkness and neck-twisting/breaking/crunching/snapping me and Amanda usually spice up our productions with. But still, we dove right in. Head first. Necks intact.
We were working alongside a few experimental media students who got the task of creating a sound, to let the guests know when intermissions at the summit are coming to an end (kind of like the tone between acts in a theatre). We managed to incorporate their sounds into the intro of our video in the hopes of making a smooth audio-visual transition at the actual summit. If nothing else, we’ve got a dreamy intro for the logos.
We had a look at the clients website(s) and found a lot of orange in there. After moodboarding and storyboarding a few loose ideas, we located the do’s, dont’s and definite no! no’s! and begun sketching up a timeline. We also extracted the key values for the summit and had a look at the different speakers attending the summit. Here we picked a mix of (ten) people based on age and visual appearances. We gave them all a neutral costume so that we wouldn’t accidentally offend anyone (the ice might be thinner than you think here) but gave each character an individual print on the shirt.
The scenes were composed in After Effects, and for most of them we used the AE 3D-camera so we had to build every component in each scene from scratch to make sure the resolution would be ok for the camera zooms. We used a lot of vector graphics and gave everything a vintage kind of feel using public domain images from the British library over at Flickr. This is an awesome, free resource, so make sure to check it out if you’re looking for some vintage hi-res book scans for your next project.
We rendered some of the objects in the scenes individually exporting them with the Alpha+RGB settings and also used some wiggle and bounce expressions to make the animations a bit more smoothe and playful. Here is a link to a document containing some of them. Feel free to download these and try ’em out. There are plenty of informative tutorials up on YouTube, so save yourself some time and start using expressions.
The film will premiere at the summit and I will post it here after. This was a great project to work on and although it was extremely time-consuming, I’m positive it will generate more of this type of work for us both. And more nights cut in half. No rest for the wicked.
Thanks for checking in! Have a good one.
During #artstreethbg the artists went through a lot of sponsored paint and Swedish industry magazine “Målmarmästaren” wrote a little piece about the festival. That’s all nice and neat, but for me the biggest thrill is that I got some of my photos published. Funny thing is that one photo is of my sister and the electrical box we painted together, and the other one is a photo of my grandma visiting the streetart workshop which was held on the last day of the festival. A nice little victory on a otherwise rainy Monday.
Noomaraton is the largest film contest in Sweden and is held on the first Saturday in September each year. You register a team and on competition day every team involved gets the same criteria for making their movie. The competition starts at 09.00 a.m and ends 24 hours later. By then your film must be ready and uploaded if you want to stay in the competition. The rules are the same each year; maximum four crew members who work on the film (actors not included), one theme, three objects and three locations which must be in the movie. This year we got the following:
- Theme – Reinforced reality
- Objects – Flashlight, dice and stapler
- Locations – Dining spot, snapchat and (town)square
We knew from the start that we didn’t want to make a film which is safe and politically correct. We wanted to make the film we wanted to see and enjoy. So we went full 1980’s and completly overboard in the process. America vs. Russia, nuclear threat, training/final shootout montage, witty puns and punchlines, terrible subtitling and a (male) washed up hero of few words. Usually the films which win are the ones with a somewhat safe story so we’re not really counting on making it to the finals with this one, but we are very happy with the result.
Production was fun, stressful and tiring, just as expected. Here’s what our day looked like:
- 09.00 – 11.00 – Screenplay
- 11.00 – 12.00 – Props and costumes
- 12.00 – 18.00 – Shooting scenes
- 20.00 – 05.00 – Post production
We all love this little short so much that we’re thinking of making a proper short with the concept. Actors Lille Peter Jönsson (Falcon) and Jonny Blomkvist (Petrov Wodka) are dying to see some more action, and a few other interesting Malmö-based actors are lined up if Falcon III makes it to production.
The screening of FALCON II is taking place at Panora cinema in Malmö on Tuesday (September 12th) and the doors open at 17.30. Two films from each region make it to the finals in Stockholm. We’re not counting on it, but then again, stranger things have happened. As soon as FALCON II is out of competition I’ll put it up online.
(FALCON (I) has not been made yet, we’re still waiting for Hollywood to call.)
HAPPY WIFE FILMS 2017 CREW:
- Director: Casper Jarmo
- Cinematography: Robin Jansson
- Setwizardry/Still photography: Amanda Nilsson
- Audio recording: Christian Andersen
- Actors: Lille Peter Jönsson & Jonny Blomkvist
Posterwork: Casper Jarmo – Photography: Amanda Nilsson
To see the film follow this link.
Documenting this years Passage-festival (one week of “street-theathre” in Helsingborg & Helsingör) was a blast. I met so many amazing people on the job, both performers and spectators. Street-theatre really brings out the best in (most) people and there were so many golden moments to capture. I mainly filmed the events but there were times when a photograph just did the job better. These are some of my favourite moments.
When I documented the ArtstreetHBG streetartfestival I mainly shot film. But sometimes I did actally turn the wheel on my Canon from video to photography and ended up with a few shots I really came to like. These are some of my favourites.
I just posted the photos I’ve been editing for quite some time since I came back from a day out in Helsingör (DK). The goal was to explore four more or less abandoned places; a home, a bowling alley, a hospital and an old museum. The photos that moved me the most came from the first to spots I mentioned. You can see all the photos in my portfolio here.
Yesterday I went to a lake in a small community called Hyllinge to get some better photos of a treehouse I Instagrammed about a year ago. I knew I was going for some black and white shots, mainly because of the doomey weather combined with the uneven angles of the treehouse. I thought the shot of the structure against the lake would be my best (and only) shot for the day (since Hyllinge isn’t the center of the visual world really), but I was lucky enough to catch a man fishing which turned out to be the better photo. As I left I noticed some flowers growing on the roof a little cabin, something you don’t see everyday. I felt lucky because this way I could shoot the flowers comfortably from below, catching some light in a different way than normally, and I even liked to colours enough to keep them. No matter what you’re planning, you just don’t know what you’ll end up with as you step out the door with a camera.
I’m happy to finally add the edited shots I took at the old dairy factory about a week ago. This place was built in the 60’s and the building is gorgeous. It’s got a basement (now flooded), a main floor and a second floor. The building is huge, but every inch is covered in graffiti which has been building up for years. There are obviously people living there since the floor was covered in poop, both fresh and stale. As we snuck around the floors, making nothing but shuttersounds we heard footsteps (there’s glass everywhere) and loud breathing, quite creepy since you don’t really know who’s making those sounds. But judging from the traces people left there it ain’t Jehovah’s witnesses living in there. Amazing spot to say the least, both in and outside.
Just some quick seaside snaps from Råå (Helsingborg, Sweden) – went pretty hard on the sliders as far as contrast goes.
I had a meeting in town this morning so I thought I’d take the chance to get some photos of town before everything’s up and running. You know it’s summer when regular people are out smoking and drinking at 9 a.m.
Having kids is a hard work. They drive me nuts, daily, both of them. The chores never end, and I’m quite amazed that our washing machine hasn’t exploded yet. Anyways, the point I’m trying to make here is that you need some sort of outlet, no matter what it is that drives you crazy sometimes. My passion is film but at the moment, I don’t really have the time for it. Schools out for the summer and I don’t always work, so as I mentioned in my previous post “The lay of the land” , I’m trying to improve my photographic skills, especially when it comes to landscape photography.
I try to find some time on days like this one to just go, somewhere, and get inspired by my surroundings. Today I took the smaller roads and ended up in some random spots. Nic Cave provided the soundtrack today. I came home with a 150 shots and these are the ones that really worked for me today. But mainly, I got to clear my head a bit – and that’s what mattered today. Plus I got to try out some vintage m42 prime lenses (Mirage 135 / Tokina 35 / Makinon 28) which have been sitting in my bag for a while just waiting to be put to work.
“If you’re fond of sand dunes and salty air, quaint little villages here and there” – Groove armada 1997